Bring It On


Action / Comedy / Romance / Sport

Rotten Tomatoes Critics - Certified Fresh 63%
Rotten Tomatoes Audience - Upright 66%
IMDb Rating 6 10 79698


Uploaded By: OTTO
Downloaded 68,484 times
July 04, 2014 at 01:37 AM



Kirsten Dunst as Torrance Shipman
Eliza Dushku as Missy Pantone
Bianca Kajlich as Carver
720p.BLU 1080p.BLU
757.74 MB
23.976 fps
1hr 38 min
P/S 4 / 95
1.44 GB
23.976 fps
1hr 38 min
P/S 4 / 40

Movie Reviews

Reviewed by ironhorse_iv 6 / 10

Bring it on! I will defend this semi-dumb comedy film about the world of competitive cheerleading, any-day. It's a guilty pleasure of mine. It's pretty good for what it is.

Yes, I know, a lot of critics might dislike this movie for its conventional and formulaic mid/late 1990s comedy sport film's plot of two rival school teams going head to head in the national championship, but I found this movie directed by Peyton Reed & written by Jessica Bendinger to be, unique enough to stand out on its own. One of the big changes, they did, was, not make the rival team, into stereotypical ruthless bully jocks. No, the team led by the Isis (Gabrielle Union), are mostly kind to their competitors, and don't really take, any short-cuts, in ruining the protagonist's chances of winning, even after they find out, that Torrance Shipman (Kristen Durst)'s team, stole their routine. It's kinda of a relief, because this movie could had gone badly, with the generic, 'good vs evil' clich├ęs sport flick route. Nevertheless, I could do, without the rich vs poor class warfare, this movie was going for. In truth, San Diego & Los Angeles are surprising, not that far apart, both in numbers of the wealthy and the poor. Another thing, I would love to see, more diversity in both teams. Yes, there was a number of Hispanics & Asian-American in the Toro team, but the Clovers should had been more diverse than what we got. After all, East Compton has a surprising number of white people & plus, Hispanics make up, the majority of that city, based off the 2000 United States Census. Making the team, all African-Americans seem a bit stereotypical. Despite that, another thing, this film does so well, is have, all the actresses really trained for cheering, in order to avoid, the use of stunt doubles. They really do take, lot of difficult and risky move sets, so mad props to them, even if 80% of the dangerous dance/choreography, pyramids, stunting, and tumbling moves in this film are technically illegal & would end in disqualification, due to safety issues. I also love, how the filmmakers even involve physically mistakes in the film performance. It made the film kinda genuine, to see, our heroes still do mistakes, even in their greatest. I also like how charisma, humor, and personality shine through, with all the actresses. All of them, does a great job, both in acting and comedy chops. Lots of funny moments, throughout the film, such as 'Spirit Fingers' sequence & blooper reel, with actresses dancing and lip-sync to B*Witched's cover version of Toni Basil's "Mickey". Nevertheless, one thing, I had concern with this film, was the way, the filmmakers push the sexual aspects of cheerleading over the competition nature, a little too much. They should had ease up on the fanservice, a little bit. After all, they are still, underaged high school girls, and the high flying dance sequences should be compelling, enough. No need to make them, into sex symbols with the way too revealing outfits & men in horny little bastards. While, I didn't mind, the romantic subplot of Torrance getting co-captain, Missy Pantone (Eliza Dushku)'s brother, Cliff (Jesse Bradford). It wasn't really needed for a film, like this. Still, it's surprising, a sport film like this, was even made. It really could had turn into a really bad in sexual objectification to the point, 'Bring it on' could be, like R-rated sex comedy like 1984's 'Gimme an 'F', or worst, adult film driven film like 1978's 'Debbie Does Dallas'. Far below, what I call, entertaining films. Nevertheless, the popularity of the first film, did allow sequels to be made, none of which contain any of the original cast members, nor any good with 2004's 'Bring It On Again', 2006's 'Bring It On: All or Nothing', 2007's 'Bring It On: In It to Win It', 2009's 'Bring It On: Fight to the Finish' and 2017's 'Bring It On: Worldwide #Cheersmack'. For better or for worst, another thing, worth highlighting about 'Bring It On', is the exposure, it had, into bringing back street dance to the mainstream, after being, nearly forgotten, after flops like 1984's 'Breakin' 2: Electric Boogaloo' & 1985's 'Fast Forward'. It seems like, everybody in Hollywood was producing urban dance movies after this film. Not only that, but this film help inspire, other in-field, sport movie like- music competition such as 2002's 'Drumline' & 2006's 'Stick it'. If that isn't enough to lay claim, why this PG-13 movie is good. To a certain extent, 'Bring it on', also help increase the popularity in recent years to the point, that there is now an estimated 100,000 school team participants in cheerleading national competitions, throughout worldwide. That's really crazy! That's not counting the number of junior varsity teams, which some school has. Overall: 'Bring it on' deserve more credit than it got. It's a wonderful film. While, it's not the best sport comedy, out there. It's one worth cheering for!

Reviewed by william-aaron-kelly 10 / 10

Make you way to the top of the pyramid

This movie is excellent. Not only does it have a great story for entertainment and your typical starting from the bottom, now we here line, but it has a great amount of knowledge on the truth of social constructs that is now present in modern day America. Run-on sentence, I know forgive me.

First of all, I think this movie is great for all people that aren't white. This movie really calls the hell out of white privilege. It shows two awesome perspectives of your typical rich white people living in upper-class San Diego with the one stereotypical pretty Asian girl, but then it shows the other side of the tacks with the poorer majority African-American, Black and Latin communities in Compton. It really makes light of what kind of issues each side face and how they take care of them. For instance, Missy is this privileged little white girl, but has that almost obnoxious self-righteous, my life is terrible, attitude for a lot of the movie. However, her biggest issue is that she just wanted to feel accepted by her peers and be able to make some new pals. While over here with the East Compton Clovers are really facing some tough real life issues, such as financial hardships, being cheated out of the system by rich white people and just trying to stand up for what's right.

I think this movie is a great lesson for a lot of privileged people. You can't just cheat your way through the system and expect to stay on top, because sooner or later God will cut you down. This is exactly what happened to the Rancho Carne Toros. Evil Big Red thought she was just going to continue going up to Compton (because apparently she had the gas money to drive 200 miles everyday) and steal the Clovers hard work and meaningful cheers and just get away with it. However, when Isis became cheer captain, she said "I am not letting these blonde gals steal from us." Then that is when the Rancho Carne Toros come tumbling down. It just shows that cultural appropriation in the end just makes you look like a complete *expletive*.

However, this movie does do a good job at showing a great deal of feminism and not just your typical white feminism. Torrance and Isis both show some great deal of feminism. Torrance really truly cares about the teams that her team screwed over. She feels lost, scared, confused and like her whole life has been a fraud. But instead of backing down she tries to make it right. She gets screwed by a creepy looking ex-boyfriend, but she stands up to him and says "get out of my life and my way, I am taking this over and this is how we are going to do things for now on." She even goes to the extent of trying to get all the best competition at the National Cheerleading Finals, because she wants to see some courage and some strength from her squad. This is where Isis though comes in with her great deal of feminism. When Torrance goes out of the way to get a check to give to the Clovers to make their trip to the finals, Isis just blatantly rips it up in her face and says "we aren't a charity case. I am going to be strong for my squad and we are going to make it to the top, so *expletive*, bring it on." Torrance pretty much says, "you know what? *expletive* you, I will bring it on.

Because the strength of these two women, the squads both really do come from the bottom and end up at the top together. It really shows how the world can go round if everyone comes together and works hard for what they want, but at the same time be kind to each other and just lift each other up.

I was so proud that the Clovers won. It made me feel so enlightened that finally these underprivileged people got to make their way to the top finally.

This movie also has a great plot for love. Torrance is dealt a strong love triangle, because she's with her terrible ex-boyfriend, but she loves Missy's brother, Cliff. Cliff also has that typical privileged, but hard, kind of attitude that Missy holds, but shows that he has a sweet endearing loving side.

This is a quick shout out to the strong ass gay men that really helped make their squads go all the way to the top too. Love you Les.

Anyway, Torrance finally had enough. She was kicked down, manipulated and pretty much beaten emotionally, nevertheless, she persisted. She ended up with the man of her dreams, but she also got the satisfaction of working real hard and hopefully an A in the chemistry class that she shared with Cliff.

All in all, this movie has one ending meaning. You can be who you want to be.

Reviewed by Wuchak 7 / 10

It's cheer-tastic (groan)

Released in 2000 and directed by Peyton Reed, "Bring it On" is a high school dramedy/satire/sports flick starring Kirsten Dunst as, Torrance, the new captain of a champion San Diego cheering squad. Eliza Dushku co-stars as Torrance's new feisty teammate, Missy, while Jesse Bradford is on hand as Missy's brother and Torrance's possible romantic interest. Torrance and her team are devastated when they discover that their championship routines were ripped-off from an inner city cheer team by the former captain; now they have to learn all-new routines to win the championships in Florida.

"Bring it On" was a surprise minor hit and inspired four direct-to-video sequels (all stand-alone films): "Bring it On Again" (2004), "Bring it On: All or Nothing" (2006), "Bring it On: In it to Win it" (2007) and "Bring it On: Fight to the Finish" (2009). Being the only theatrically released movie in the series, "Bring it On" is the most polished in the series.

While it thankfully lacks visual raunch, like the vulgar "American Pie" flicks, it's sometimes verbally lascivious and profane, but in a witty, humorous way. In Roger Ebert's review he went on and on about how "Bring it On" is basically an R-rated movie watered down barely enough to get a PG-13 rating to sell more tickets. He decried that it's too foul for kids under 13 and too juvenile for older teens & adults. Although the former's true the latter is poppycock. Anyone who's been to high school (or is going through it) and is slightly familiar with cheerleaders will relate to "Bring it On" and be entertained. The flick successfully balances high school dramedy with sports movie conventions while satirizing cheerleaders; it's kinetic, smart, amusing, irreverent, over-the-top and realistic at the same time.

Ebert also denounced the film on the grounds that the movie is condescending toward high school minorities. Baloney. It simply reflects reality in that inner city schools in America are predominantly black and lack the funds of more affluent suburban schools.

Dunst and Dushku are good protagonists and easily carry the film, but they never appealed to me much, which isn't to say I dislike them. But it doesn't matter because there are so many peripheral cuties on hand. "All or Nothing" is easily the best in the series as far as female cast goes (highlighted by Hayden Panettiere and Danielle Savre).

The film runs 98 minutes and was shot entirely in the San Diego area.


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